MacLeod Ale’s The King’s Taxes & Three Kings

Hey there, Drinkers!

Grab your gold and a beer because today’s BAAM is all about paying bills (or collecting, if you a king I guess). We’re watching the 1999 film Three Kings and sipping on MacLeod’s The King’s Taxes. Kings, gold, taxes and beer: it’s almost like I planned this pairing. So let’s get started.

In 1999, David O’ Russell (of Silver Linings Playbook and American Hustle fame) released Three Kings, a bizarre humanitarian heist movie set against the closure of First Gulf War (remember when there was only one?). With an impressive cast including, but not limited to, George Clooney, Mark Wahlberg, Ice Cube, Spike Jonze, (weird, right?), Judy Greer and a young Alia Shawket (weird, right?), we follow four soldiers on their quest to “liberate’ Saddam-stolen Kuwaiti gold. The film quickly tacks away from the simple premise as our heroes stumble into the quagmire of local politics, pitting soldiers against civilians against the American military against Saudi/Iranian interests. Most of the politics are background noise against the human drama, but the film does reserve some time to relay the profound message of ‘what the hell are we doing here?’

America! Fuck yeah!

America! Fuck yeah!

And while the film’s political message is commendable, the most interesting part of the film is its presentation. The writing and acting is very much David O. Russell’s brand of quick-wit/dumb people humor but the visuals of the film are that of someone still figuring out their style. The narrative goes through big, tonal swings from comedy to heartbreak to action and the pacing of those moments varies wildly, as if stitched together. And within sequences, the visual language also varies dramatically. Highly styled, blurred slow-motion combined with the overuse of whip pans is intended to convey the chaos of a gunfight, but mostly I found the formalism to be intrusive and distracting. This visual inconsistency, and stop-start pacing detracts from an otherwise solid film carried by solid performances (is Clooney ever bad?). I also found the film’s ‘where are they now?!’ ending to be a little cheesy but that’s fine, you’re entitled to do that, I guess. But overall I really do like this movie, but you can definitely tell that it was a learning experience for David O. Russell.

Bullion. Not the cubes you put in hot water to make soup.

Bullion. Not the cubes you put in hot water to make soup.

And with our liberated Kuwaiti gold, it’s time to pay our taxes. For tonight’s pairing, I grabbed a bottle of MacLeod Ale Brewing’s The King’s Taxes. Macleod is a LA local beer brewed not too far from where I live. Having had this beer at the brewery several times, I was excited to see bottles appear at my local liquor store. I should note that I drank my bottle straight out of the fridge, whereas at the brewery, beers are served much closer to room temperature.

Pouring a deep brown with a slight reddish hue and a big, off-white head, The King’s Taxes aims to make a statement right off the bat. It’s beautiful to look at and you get the added benefit of picking up notes of malt, caramel and coffee once you get your nose in there. Off your first sip, you might be surprised by how light the body is. Like many British style ales, The King’s Taxes is deceptively light despite its dark color. And with minimal hopping, you’re treated to a nice, big malty kick with a smooth finish which lingers in your mouth. You’ll get notes of malt, caramel, chocolate and coffee with very little carbonation. Moreover, this beer warms quite well and is perfect for sipping slowly over the course of a two hour film like Three Kings. Overall, a fantastic beer and a great change of pace from my usual, bitter IPA’s.

So there you have it, Drinkers. A strong, if not flawed, film and a great companion beer to hold me through the entire experience. I imagine Macleod may not exist outside of Los Angeles, but if you ever see a bottle, I highly recommend you snag a bottle or two.

Thanks for reading and as always keep drinking, my friends!macleod-the-kings-taxes

Tonight’s Tasting Notes:
Macleod’s The King’s Taxes:
-Super smooth
-Great roasted, malty flavor
-Warms really well

Three Kings:
-Fun, quippy performances
-Visually inconsistent & oddly paced
-Talented and deep cast

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Prairie Artisan Ales’ Prairie Gold & The Good, The Bad, The Weird

Hey there, Drinkers!

In today’s BAAM we’re getting a little weird. A little wild. We’re sipping on the American wild Prairie Gold while watching the Korean flick The Good, The Bad, The Weird. A pairing of excitement! Of action! Of…strangeness! So let’s get started!

I’m sure I’ve mentioned it before, but Sergio Leone’s The Good, The Bad and The Ugly is one of my favorite movies of all time. So when I heard of an action-drive Korean reinterpretation set in 1940’s Manchuria, of course I leapt at the chance to check it out. Nevermind that this movie came out seven years ago and nevermind I’ve seen it before, I thought The Good, The Bad, The Weird would be appropriate selection for our pairing. And so here we go.

Pretty self explanatory

Pretty self explanatory

Simply stated, Jee-woon Kim’s 2008 film is about a number of parties aggressively tracking down an elusive treasure map. No one knows what the treasure is (probably gold), but everyone is certain it is valuable. The Ugly wants to get rich. The Bad feels entitled to it. The Good wants to catch the Bad (and the Ugly) for the reward. The Ghost Market gang…wants it too? And so does the Japanese army? It really doesn’t matter why everyone wants it, just that they do. And when you have lots of unstable people with guns all seeking the same thing, chaos ensues. And that’s pretty much what the movie is: a two hour long action sequence punctuated with brief character beats (often defined by more violence). Seriously, the last 30ish minutes of the movie is a straight up Fury Road desert chase filled with cars, motorcycles, horses, mortar fire, guns, knives and a medieval flail.

The hair says it all.

The hair says it all.

But really what makes this movie special, aside from the general silliness, is its craft. With strong visuals, a striking sense of style and absurdly detailed action, the movie never stops exciting your senses. And just when you feel worn out from too much frenetic action, you’re given a break. A marketplace shoot out, which carries on with a frenzy, takes a short break for our characters to chat and smoke a cigarette before the film returns to its regularly scheduled insanity. It’s smart, fast and impressive throughout. Only at the end of the film, when we build to our Mexican standoff, does the film slow down. But by that point, you’re so worn out that you don’t mind the breather. Overall, it’s just a silly, hyper-violent romp through the tumultuous history of Korea under Japanese rule. Sounds like fun, don’t it?

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Look familiar?

And how about our Prairie Gold? Did we bring home a treasure? It was actually a pretty solid beer. Maybe a little pricey for a 500 ml bottle but it’s what’s on the inside that counts, right? This American wild (aka bottle conditioned sour) pours a light golden color with a fast-dissipating white head. A few reviews say this beer can be a gusher when opened but I didn’t have this problem (but fair warning). Off the nose you’ll get all of the tart fruity sweetness you’d expect from a sour. When you sip, you’ll get notes of pear, lemon, green apple, white wine and yeast. It never gets TOO tart and it can actually be a bit sweet for some, but the finish is quick, leaving you feeling refreshed on a warm summer night. With a mild 6.5% ABV and light carbonation, this beer is an easy drinker that should delight beer and wine drinkers alike. A great summer sipper.

So there you have it, Drinkers. A night of gold! Wild prairie beers and wild, weird ‘Westerns.’ A good, fun night that doesn’t require too much thought. Because, if we’re being honest, everyone needs a little sweet beer and Korean gunplay from time to time.

Thanks for reading and as always keep drinking, my friends!

prairie-gold
Tonight’s Tasting Notes:
Prairie Artisan Ales’ Prairie Gold:
-Sweet, fruity nose
-Fruit & yeast on the tongue
-Quick finish. Leaves you wanting more

The Good, The Bad, The Weird
-Nonstop, expertly made action
-Thin on character, but who cares
-Great foreign reinterpretation of a classic

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Craft Artisan’s Nebulous Imperial IPA & Interstellar

Hey there Drinkers!

I know it’s been awhile but let’s dive right back into the BAAM groove. In today’s pairing we’re talking about SPPPAAAACCEE (space)! As some of you know, space is my favorite because it is, quite literally, the best. Which is why I was so excited to pair Craft Artisan’s Nebulous Imperial IPA (galaxy hopped…get it?) and 2014’s space adventure Interstellar. So fire up those rocket boosters and let’s count down to liftoff for the glorious return of beer and a movie!

Now I assume most of you have seen Christopher Nolan’s 2014 space odyssey Interstellarso consider this review a free-fire zone when it comes to spoilers. Briefly (which this movie is not), Interstellar is the story of a father’s journey through a wormhole in order to identify a potentially habitable planet for the residents of a dying Earth. The film is slightly more complicated than that, what with the time-bending singularities, supernatural future ghosts and SCIENCE but the the heart of the film is about fatherhood. And the film uses fatherhood as a prism through which we can understand the struggle for humanity’s continued existence. In this regard, the film is actually successful. At every stage, we see our hero Cooper (played by a one Matthew ‘Texas Twang’ McConaughey) as a father. Not a pilot or intergalactic traveler or a scientist, but a father who is fighting with everything he has to protect and return to his kids. And it’s sweet and powerful and genuine. In a lot of ways, the film feels like an attempt by writers Jonathan and Christopher Nolan to understand their own role as parents in a world that is increasingly dangerous and complicated. So kudos for ironing out your issues with us!

Space Dad is go for liftoff

Space Dad is go for liftoff

But where the film starts to flag (aside from its almost 3 hour running time) is its confluence of science and idealism. Not that the two are mutually exclusive by any means, but the movie struggles to reconcile these two primary driving forces. The first through-line of this film is hard science. Faith in fact and discovery, which the film convincingly relies on for most of the film. But as the movie progresses, that foundation of science is replaced by loftier, harder-to-pin-down ideas like love and time and transcendence. Which generally is fine but when it tries to conflate the two, the movie just gets…confusing. The film is truly beautiful and powerful from a distance, but once you start to pull on the threads a little, certain things don’t really add up or mesh. Like the urgency of Cooper’s mission or why this data they so desperately need isn’t really needed in the end or why surprise Matt Damon’s feels the need to just straight up murder everyone. I get it…but at the same time I don’t. I think, at times, Interstellar gets a little caught up with itself and, as a result, loses itself in its own grandiosity.

Space is real purdy

Space is real purdy

All that being said, the movie is still an incredible, visually exquisite ride, a true testament to Christopher Nolan’s confidence and craftsmanship. If you can find the time to just the film wash over you, you’re going to have an amazing experience. Also, quick shoutout to the best character in the film: TARS.

Hero bot!

Hero bot!

And our beer. Was it equally grand and cosmic in scope and scale? Unfortunately not really. The Nebulous Imperial IPA from Artisan Craft Ales is a solid DIPA but it does little to elevate itself. Pouring a hazy gold, you’ll get aromas of pine, resin and grain, fairly standard DIPA notes. You’ll get the same notes when you taste it, but with a little tart citrus thrown in the mix. The 80 IBU’s definitely stand out but the beer is still decidedly malty too, which is a little odd. With it’s medium body and nice lacing, the beer is definitely solid but nothing extraordinary (definitely almost wrote extraterrestrial…).

So there you have it, Drinkers! We’re back (from outerspace) with a mixed bag of a movie and a mixed bag of a beer. Definitely a good pairing, I just wanted a little more clarify from Interstellar and a little more individuality from my Nebulous Imperial IPA.

Thanks for reading folks and as always keep drinking, my friends!

CRA_Nebulous

Tonight’s Tasting Notes:
Craft Artisan’s Nebulous Imperial IPA:
-Hazy, golden wheat pour
-Lots of pine on the nose
-Average DIPA flavor profile

Interstellar:
-Visually awe inspiring
-Some cross confusion in the end re. science/love
-A strong, beautiful film overall

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Clown Shoes’ Undead Party Crasher Imperial Stout & The Night of the Living Dead (1968)

Hey there, Drinkers!

Today’s pairing is all about the LIVING DEEAADDD. No, not zombies. Just the dead coming back to life and eating people. That’s right folks, we’re watching the original The Night of the Living Dead while sipping on a beer from Clown Shoes’ Undead Party Crasher (repping my Massachusetts upbringing). So grab your blunt objects, aim for the head and start drinking!

In 1968, George A. Romero’s The Night of the Living Dead shocked and horrified audiences across America. For its time, Night was incomparably gruesome, violent and explicit. Aside from the fact that it was, for all intents and purposes, the original modern zombie film (which we’ll discuss that shortly), the film was one of the first to display gore and cannibalism. By the standards of the time, this movie was sick. It was gross, disturbing and altogether horrifying. And it’s still pretty gross.

They're coming for you Barbara!

They’re coming for you Barbara!

The most important thing to remember while watching this film is to forget everything you know about zombies. Forget about eating brains, hitting them in the head or viral outbreaks. Everything you know about modern zombies can be traced back to this movie. Prior to this film, the term cinematic zombie was typically reserved for a sort of voodoo-induced-hypnosis. You can watch films like White Zombie or I Walked with a Zombie for reference. What Romero did in The Night of the Living Dead is create an entirely new monster: a reanimated corpse with a hunger for human flesh. In fact, the term zombie is never used in the film. Rather, the monsters are referred to mostly as murderers, cannibals, ghouls or ‘those things.’ Moreover, these zombies are smart. The use weapons, open doors and cut power lines. They are proto-zombies.

He's (kind of) a ZOMBIE!

He’s (kind of) a ZOMBIE!

Oh and they were most likely created through exposure to radiation from Venus. Whatever.

But the movie itself is also interesting to watch. The film is claustrophobic, grounded and steeped in mistrust. All of the characters, who have found themselves trapped in a house, struggle to work together. Heightening the drama is the unsaid racial tension between the film’s resourceful hero Ben and the white Harry who tries to wrestle power from him. Now I’ve heard that the script was not written with a black protagonist in mind, but the underlying power struggle between these two men serves as a fantastic microcosm for the issue of race in 1960’s America.

Accidental racial politics

Accidental racial politics

There’s a lot to say about this relatively short film but what I really want to say is that you should see it. For anyone who is interested in the history of cinema (or zombies), this is oddly enough an important chapter. Check it out!

So did our beer crash this zombie party? Not at all! Clown Shoes’ Undead Party Crasher was actually the perfect accompaniment to our evening. This Imperial Stout pours jet black with a thin, brown head. Off the nose you’ll get tons of roasted malt backed up some of that 10% ABV booziness. When you sip, you’ll get a quick flash of roasted malt and chocolate with a hint of sweetness. All of those flavors dissipated quickly into smooth, light carbonation with an alcoholic finish. For an Imperial stout, the beer is not nearly as heavy as you would expect, which makes it easier to drink. Especially considering the high ABV. Definitely a winner from Massachusetts brewer Clown Shoes.

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So there you have it, Drinkers! A night of great beer and the undead! I’m really happy with how this pairing turned out. We had a great, easy sipping but complex beer to go with an engaging and fun cult-classic. Thanks as always for reading and don’t hesitate to suggest beers or movies you want to see me pair.

And as always keep drinking, my friends!

Clown-Shoes-Undead-Party-Crasher

Tonight’s Tasting Notes:
Clown Shoes’ Undead Party Crasher Imperial Stout:
-Jet black pour
-Huge roasty aroma & taste
-Boozy throughout

The Night of the Living Dead
-The original zombie movie
-Slow burning intensity
-Interesting racial politics

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Rogue Ales’ Santa’s Private Reserve Ave & Rare Exports

Happy New Year, Drinkers!

Now that the holidays are over, I thought it would be an appropriate time to post a Christmas-themed pairing. Because I plan ahead! Today, we’re sipping on Rogue’s Santa’s Private Reserve while watching the Finnish (of Finland) film Rare Exports. This pairing was a little weird, a little late, a little disappointing and very confusing, which seemed like an accurate summation of many people’s holiday. So let’s get it started!

download

For a quick summary, Rare Exports is a 2010 film about how an evil Santa Claus is thawed out from a Finnish mountain and wreaks havoc on a small town. Or at least that’s what the movie was billed as. But instead of the Santa-slasher that I was expecting, I was treated to a relatively bloodless, thrill-less story of a weird boy,  his weird knowledge of evil Santa and the naked, pickaxe-wielding men who come after him. Still sound exciting? Well then continue to be disappointed. Almost nothing happens in the movie. The story plods along without suspense, tension or intrigue, dragged along by largely boring, one-dimensional characters. Our pack of protagonists is lead by a very strange and annoying young boy named Pietari who demands his father beat him so Santa doesn’t claim him as a ‘naught boy.’ Really it’s just scene after scene of disappointment. With such a great (re. terrible) premise, it’s frustrating to see it thrown away on a piece that takes itself too seriously yet lacks the narrative tools to do so.

This implies more drama than actually exists in this film

This implies more drama than actually exists in this film

So maybe our beer helped fight off the winter chill from Rare Exports? Well, yes and no. Rogue’s Santa’s Private Reserve Ale is an Imperial Red (hence Santa, I suppose) but it lacks any sort of winter-y profile. Which is fine, if you’re not expecting a winter beer. The beer pours an copper-red color with a sizable, foamy white head. Mixed with the distinct Red hoppiness is a little caramel-sweetness balanced against a medium body. On its own, it’s a solid beer. It’s simple, not overwhelmingly bitter or piney and is easy to drink. But if you’re looking for a specifically winter-y beer, maybe this isn’t the brew for you.

So there you have it, Drinkers! Another holiday gone by, another pairing behind us. Unfortunately, I was a bit disappointed with the movie. And the beer, while solid, was not what I was expecting. But if that’s the extent of my displeasure, then I think we did just fine. Thanks for reading and I hope you had a wonderful New Years holiday!

And as always keep drinking, my friends!
beer_597
Tonight’s Tasting Notes:
Rogue’s Santa’s Private Reserve:
-Lovely red pour
-Well balanced flavors & body
-Not a winter beer, despite the name

Rare Exports:
-Unfortunately underwhelming
-Very little actually happens
-Simple, one-dimensional characters

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Golden Road Brewery’s Wolf Among Weeds & The Wolf of Wall Street

Hey there, Drinkers!

Are you ready to get a little crazy? Maybe do one to eight different drugs at once? Then you’re in the right place because today we’re watching Martin Scorsese’s drug-and-money-fueled film The Wolf of Wall Street while sipping on a particularly potent Wolf Among Weeds from local beer giant Golden Road Brewery. For the astute reader, you’ll know I reviewed this beer last November. But since tonight is all about self-indulgence, I’m re-reviewing it. So there! So grab your penny stocks and come join me for a wild ride. Let’s get started!

Martin Scorsese’s 2013 The Wolf of Wall Street is, for the uninitiated, the dramatic retelling of a real stock broker’s epic rise and fall through the corrupt avenues of Wall Street in the late 80’s and early 90’s. Our protagonist, Jordan Belfort, is played by a particularly committed Leonardo DiCaprio and is surrounded by a superb cast which includes, but is not limited to, Jonah Hill, Margot Robbie, Margot Robbie’s breasts, Rob Reiner (huh?) and Matthew McConaughey (for 5 minutes). From scrappy broker to young upstart to bacchanalian ‘Wolf,’ the film follows every stage of Belfort’s decline as he ascends the ladder of American wealth. As portrayed by DiCaprio, Belfort’s pathos is both disgusting and weirdly comprehensible as we see a man who truly believes that money can buy happiness. All the while we see him ruined by that same belief. More than anything, it’s a fabulous character study on the addiction of greed and a raucous expose on the nature of extreme wealth. And while the fantastic acting and absurd displays of wealth keep this movie engaging, the film ends up collapsing under its weight.

So I heard this movie addresses wealth & greed...

So I heard this movie addresses wealth & greed…

Simply put, the film is just too long. The Wolf of Wall Street runs for 2 hours and 59 minutes. For most people, that’s just an insane amount of time to watch one film. But the real tragedy is that the movie really only needs to be about 2 hours long. The film, its characters and its story are all frenetic, a reflection of the insane amounts of cocaine shown in the film. But what Scorsese repeatedly does throughout the film is let captivating character moments extend well beyond what they need to be as actors superbly improv long scenes. The result is simple conversations which in turn long back and forths about nothing. And depictions of epic party insanity last way too long without informing new characters or advancing the plot. The true big narrative turn of this film clocks in just under the 2 hour mark. The net result is that as good as this movie is, you can’t help but feel like it’s unending. In every regard, this movie seems to take the adage ‘too much of a good thing…’ to heart.

Cheers, bitches.

Cheers, bitches.

And in keeping with the spirit of selfishness, excess and indulgence, I’m re-reviewing one of my favorite local IPA’s: Golden Road Brewery’s Wolf Among Weeds.

So what about our Wolfy beer? Wolf Among Weeds is a powerful double IPA that is not for the feint of heart. Pouring a hazy golden amber with a modest, fluffy head, Wolf Among Weeds never tries to hide what it is. Off the nose you’ll get strong notes of pine, resin, hops and citrus. IPA through and through. And when you take your first sip, you’ll get all of those flavors mixed together just right. It’s bitter, piney and citrusy without much sweetness. And it’s a bit boozy too. You won’t feel it at first but about halfway through your pint, you’ll realize the Wolf packs an 8% ABV punch. While this DIPA may not be for everyone, it’s a fantastic brew for West Coast IPA true believers.

So there you have it, Drinkers. A wild movie that is simultaneously fantastic and disappointing with an unrelenting and unabashed brew. Thanks for reading and stay tuned over the next few days for another Holiday Slasher Special for Christmas!

And as always keep drinking, my friends.

wolfbeer
Tonight’s Tasting Notes:
GRB’s Wolf Among Weeds:
-Hazy gold pour
-Super piney bitterness
-Heavy hitter at 8%

The Wolf of Wall Street:
-Stellar acting all around
-Fascinating and disgusting look at excess
-WAY too long. Unfortunately.

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New Belgium’s Accumulation White IPA & Fargo

Oh hi there, Drinkers!

Oh jeez guys, I finally did it. I finally watched a good movie. I know it’s been a while but I figured you all had earned it after this latest string of garbage films I’ve put you through. And now that the temperatures have started to drop below 80 here in Los Angeles, I figured it was time to shake things up and get a little wintery. That’s why today’s pairing is New Belgium’s Accumulation White IPA and the snowy, Minnesota classic Fargo. I’ll try to keep the Minnesota-isms to a minimum (having linguistically tortured my actually Minnesotan roommate while watching the movie) but, like always, I make no promises. So let’s get started, ya?

Set in 1987, Fargo is the Coen Brothers’ not-actually-true-story about an inept car salesman, a bungled kidnapping and the subsequent trail of murder that follows. For the sake of those who haven’t seen this movie (go see this movie), I’ll provide the quick setup of the movie. Jerry Luundegaard is in a bit of money trouble and thus decides cooks up a scheme to have his wife kidnapped and, upon her release, split the ransom with the kidnappers. But as all schemes go, it doesn’t work out that cleanly. Due to a toxic combination of ineptitude, not-so-happy accidents and a little psychopathy, people get murdered and said murders get investigated. But the movie isn’t really about the case or the kidnapping. It’s about the slow-motion implosion of an inherently dumb idea. And it’s about the characters who get entangled in the snowy shitstorm.

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Quiet ride through the ‘burbs

Like all good Coen Brothers’ movies (and that definition varies depending on who you talk to), Fargo is sharply written, superbly well-acted, mildly disturbing and profoundly bizarre. The dark themes of the movie are anachronistically set against hilarious dialogue and quiet, seemingly inane character moments. The film’s tense dramatic beats are expertly separated with scenes of domesticity for our hero-sheriff Frances McDormand. And we get to see that even our hapless villains watch The Tonight Show. These strange, off-beat moments disrupt an otherwise hauntingly dark film. But what is really special about these moments is that they never feel random or pointless. Rather, every moment informs character and narrative in a way that I imagine makes many other filmmakers jealous.

Wholesome family fun

Wholesome family fun

There’s a lot to say about this movie (cars, representations of space, the nature of greed, etc.) but for the sake of time, I’ll just say that Fargo shows the Coen Brothers’ at the top of their game. With fantastic writing and unparalleled acting from the entire cast, Fargo is a must (re)watch.

So how about our snowy beer? Hailing from the perennially pleasing New Belgium Brewing Company, the 2014 Accumulation White IPA doesn’t fall far from the delicious tree. Pouring a pale yellow-gold with a fluffy, white head (you might say it looks…snowy?!), you’ll get hints of grain, grass and hops off the nose. With a sip, you’ll get muted notes of grain and citrus backed up with some mild pine from the hops. At 6.2% ABV, the beer is an all-around easy drinker. None of the flavors are too bright or are overwhelming. Rather, they play together quite nicely and deliver a solid sipper of a beer. Definitely a nice alternative to the heavier, dark beers that are more traditional for this time of year. Really just a nice, low-key beer.

So there you have it, Drinkers! A snowy night of MURDER and beer. We watched a fantastic film with an easy drinking beer on a “chilly” winter’s evening. Have you seen Fargo or tried this year’s Accumulation? If so, let me know what you think in the comments! Or shoot me some of your favorite winter beers and I’ll try to feature them in an upcoming BAAM!

And as always keep drinking, my friends!IMG_0469

 

Tonight’s Tasting Notes:
NB’s Accumulation White IPA:
-Clear, pale yellow pour
-Mild mix of grain, citrus and hops
-Easy drinking alternative for a cold night

Fargo:
-Stellar acting
-Quirky but dark
-Makes Minnesota look like a wasteland

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