Tag Archives: apocalypse

Napa Smith’s Hopageddon Imperial IPA & The Omega Man

Hey there, Drinkers!

Today we toast to the end of the world! Maybe this would have been more appropriate back in December 2012 when the world actually ended but whatever. I do what I want. Today we’re cracking open a bottle of Napa Smith’s Hopageddon Imperial IPA and the 1971 post-apocalyptic movie The Omega Man. Charlton Heston. Beer. MAN MODE: ENGAGED!

So let’s get started, shall we?

The Omega Manfor those who are unfamiliar, is based off the same book which spawned the 2007 Will Smith movie I Am Legend. And the stories are ostensibly the same: plague wipes out humanity, last man on Earth fights creatures of the night, finds other survivors, makes cure, dies like Jesus. SPOILER! But I actually think the DVD box sums it more succinctly: “what price survival in a plague-ridden tomorrow?” And no, I’m not missing a word. They just screwed up their DVD box. Anyway, the film follows the surprisingly content (except for a few rote “he’s lonely” moments) Charlton Heston as he scours an abandoned Los Angeles for supplies. In the evenings, he holes up in his penthouse and fends off frivolous attacks from The Family: a band of cloak-wearing albinos who don’t like sunlight or technology. Apparently they’re psychotics or something but mostly they just seem like religious fanatics reacting to Charlton Heston’s relentless attacks. Actually, what’s weird is that for a group of weapon-hating crazies, they have no problems with knives, bows, spears and ballistas. Seriously. They made a ballista.

The pasty face of EVIL

The pasty face of EVIL

But seriously folks, this movie is pretty terrible. It’s mostly an excuse to have Charlton Heston on screen in formal dining wear and/or a track suit. Nothing really happens until the third act , everything is campy and very little make sense. I think the movie tries to make the argument that neither Charlton Heston nor The Family have the moral high ground, that this post-apocalyptic world has removed the humanity from everyone, in one way or the other. But that’s me stretching/the movie being really really blunt. Mostly the movie is about nothing.

Please note his lacy, velvet dinner jacket

Please note his lacy, velvet dinner jacket

But was our beer equally as silly? Yes and no. The bottle art is very silly in an awesome sort of way. It depicts flaming hops crashing into Earth. Kinda baller. But what is not silly about this beer is its hoppiness. Pouring a cloudy orange with a white, one-finger head, this IIPA lives up to its boisterous name. With the pour, you instantly get hit with a sharp, piney hop aroma. When you take a sip, that pine flavor continues but is also greeted with some nice, tart citrus along with some grass. As the beer warms, the 9.2% ABV gets more pronounced. Overall it’s a solid, hoppy Imperial IPA that is probably not best for you hop noobs.

So that was the end of the world. About six months off from the Mayans but whatever, can’t always be on time. We were blessed with a good beer to save us from our bad movie. But it’s not bad enough to be good, so I can’t really endorse it. But I do endorse this beer. Very hoppy but very good, so check it out if you see it!

And as always keep drinking, my friends.


Tonight’s Tasting Notes:
Napa Smith’s Hopageddon IIPA:
-Hazy orange pour
-Bright, hoppy aroma
-Complex hoppy flavor

The Omega Man
-Original I Am Legend movie but no better
-Muddy plot & themes
-Charlton Heston’s smile is scary

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Stone’s Vertical Epic 12.12.12 & 2012

Good tidings, Drinkers!

In honor of 12/12/12, Anne from We Recycle Movies and I celebrated the only way we know how: drinking great beer while mocking a movie we’re barely watching. Great premise, right? And since the date was too significant to be subtle with our pairing, we chose Stone’s final Vertical Epic and the tidal wave of cinematic crap that is Roland Emmerich’s 2012. So let’s get crackin’!  (that’s a joke about 2012…because the planet’s crust cracks a lot and earthquakes happen…I’m funny, I promise)

But where to begin with 2012? How about 2009? Sure, why not. That’s when SCIENCE determeined the Earth was going to blow up or melt or split apart or whatever. Briefly, 2012 charts the Earth’s Mayan-fortold demise as told through the eyes of a bunch of random people we never really care about. I think the planet’s core is melting because the planets are aligned and thus the Earth’s crust is thinning and shit gets real…I think. To be fair, Anne and I were loudly ignoring this film and instead mostly talking about the new trailer for Pacific Rim (which I contend looks like a shiny version of Godzilla vs. Voltron). We also talked a lot about Zoe Saldana who, we later realized, was not in this movie. We’re not racists but in our defense, Thandie Newton really looks like Zoe Saldana. But I digress. 2012 has all the elements of a “good” disaster movie, such as explosions, famous landmarks being destroyed, conspiracy theorists, black actors, giant boats…. You know, the usual. However, I think Roland Emmerich got so caught up in his own delusions of Earth’s grand demise that he forgot to make the rest of the movie.

Rut roh!

Rut roh!

But to be serious for just a (brief) moment, I think the major failing of this movie is really its characters. I didn’t really relate to any of them or find them interesting. They felt more like characters I was supposed to like, not characters I actually liked. It’s an assumption that can really just hollow out a movie’s emotional core. Fortunately, the movie had plenty o’ splosions and other natural atrocities to compensate for my boredom. But even then, the over-the-top destruction of the planet is also distancing. I couldn’t connect. There are only a handful of moments when the destruction resonates on a personal level, making the “we survived!” conclusion even less compelling. Finally, as noble as Roland Emmerich’s “Africa-is-the-birthplace-of-humanity” overtones are, it’s so obnoxiously blatant that you can’t help but laugh. Well…continue to laugh, since I pretty much laughed at this whole movie.


Who needs human drama when you have SUPER VOLCANOES?!

Good thing we each had bombers of 9% ABV Vertical Epic to get us through the night! The last of the series, the 12.12.12 Vertical Epic does feel like a pinnacle of beer. It pours a deep, dark brown with a lovely mocha-colored head. While Stone’s label rattles off a host of spices brewed with this Belgian-inspired ale, the most distinctive notes I tasted were chocolate malt, all-spice and cinnamon. That last one really came out as the beer warmed, transforming the beer into something completely new by the end of the bottle. And although the beer was dark and strong (what other kind of beer does Stone brew?), I have to say that it’s remarkablely accessible. The beer was easy to drink, not too bitter and not too filling either. Sure, it’ll get you buzzed, but you won’t really notice the booze unless you’re drinking on an empty stomach (which we were….woops!).

Overall, I’m really glad I got to taste the final Vertical Epic. Sadly, I’ve missed the previous Vertical Epics but I don’t doubt that Stone has plenty of good beer planned for us in the years to come. Or days, if the Mayan calendar (or Roland Emmerich) is correct. Either way, you better make sure that you’re friends with a pilot. Or John Cusack. Either will do.

Thanks for reading and as always keep drinking, my friends.

Tonight’s Tasting Notes:VE
Stone’s Vertical Epic 12.12.12:
-Deep, rich brown color
-Chocolate malt, cinnanom & all-spice
-Changes, and improves, as it warms

International cooperation! Form of: BIG BOAT!
-Hollow characters
-Roland Emmerich successfully destroys the world the for…3rd time?

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