Tag Archives: dubbel

New Belgium’s Wild2 Dubbel (Lips of Faith Series) & The Man Who Shot Liberty Valance

Hey there, Drinkers!

I see you made it past that mouthful of a title and are ready get a little wild! In today’s BAAM we’re headed west with New Belgium’s Lips of Faith Wild2 Dubbel and the classic John Wayne Western The Man Who Shot Liberty Valance. So grab your spurs and sit down at the saloon. Let’s get it started!

In 1962, director John Ford released yet another Western with John Wayne. In all, the duo worked together on 24 films, which helps explain certain notions and archetypes we all take for granted regarding the genre. And in a lot of ways, The Man Who Shot Liberty Valance is a classic Western. You have the balance between law and bandit, the specter of an encroaching railroad and the intersection of intellectual ideals with harsh, real-world practicalities. It has all themes and characters we recognize so easily. And even some of the sayings we all know…pilgrim. A large part of this comes from John Wayne, who seems to play himself more than he ever plays a character. And that’s not really a bad thing. He’s not exactly a great actor in this movie but his comfort in the role of the smirking yet troubled rancher is really all he needs to play off the more serious and idealistic James Stewart (who is always just awesome). And with a colorful (and wildly intoxicated) supporting cast of a tough-as-nails young woman, a drunken newsman, a cowardly marshal, a trusty black ranch hand, a heartless criminal and unnamed Mexicans, you really have all the makings of a classic Western.

That's a nice belt you got there, Pilgrim

That’s a nice belt you got there, Pilgrim

But really what makes this movie interesting, aside from the on-screen chemistry of John Wayne, James Stewart and Vera Miles, is how different it is from other Westerns. Most notably, this movie is told almost exclusively as a flashback. It’s actually quite Citizen Kane-y in that respect where the film is propelled by the mysterious return of a popular man who then must explain his past, shedding light on the man he is today. But aside from that structural difference, what makes this movie special is how morally and politically conflicted it is. While many Westerns are famous for their moral ambiguity, this movie takes another angle by pitting American democratic ideals against the iron of a handgun in a very literal, political fashion. James Stewart’s character relentlessly defends the law and promotes the strength of the democratic system, and yet he is utterly powerless when he tries to execute those laws. Meanwhile, John Wayne’s character embraces the DIY system of frontier justice and yet is never rewarded or recognized for his ‘just’ acts. It seems a bit standard nowadays but it’s quite unapologetic with its views. While the film generally supports the American ideals of liberty, voting rights and a free press, it regularly complicates and undermines these institutions.

And for what it’s worth, it’s also just a fun move that I recommend to any fan of the genre.

Eastern Man, Western Justice

Eastern Man, Western Justice

And our wild beer? The Wild2 Dubbel from New Belgium’s experimental Lips of Faith series is definitely an interesting brew. I poured from a 22 ounce bomber into a tumbler and was immediately impressed by the rich, dark golden brown color and the lovely, khaki head. Visually, it’s an appetizing beer. And with that pour, you’ll get some classic Belgian Dubbel hints of yeast and rich maltiness. And for the most part, that’s the taste you get as well. With a medium body, the beer is particularly malty with just hints of dark fruit and pepper. There’s a little odd spiciness in the finish that I can only assume comes from the schisandra with which the beer is brewed. Overall, it’s a solid dubbel. I’m not sure it’s as WILD as the Lips of Faith series generally promotes itself to be but really nevertheless a solid brew.

So there you have it folks, a wild night in the American West. A classic Western film and a Colorado brew all via a California palette. Thanks for reading folks and remember that you too can suggest pairings for the next BAAM!

And as always keep drinking, my friends.

New-Belgium-Wild2Tonight’s Tasting Notes:
Wild2 Dubbel:
-Gorgeous pour
-Classic dubbel profile with a little spiciness
-A solid dubbel, but nothing revolutionary

The Man Who Shot Liberty Valance:
All the Western tropes we love
-Conflicted American ideals
-John Wayne as John Wayne, the cowboy


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Allagash Dubbel & Double Indemnity

Good Evening Drinkers,

Tonight we’re in for some double (dubbel) trouble with Allagash Dubbel Ale and the 1944 Billy Wilder classic noir Double Indemnity. A duo that makes you sit up, pay attention and appreciate the finer things. So let’s get started.

For those who are unfamiliar with the specifics of Double Indemnity, I wouldn’t worry too much. While the narrative is fascinating and deserves multiples viewings, the film’s  entirety serves as the archetype for all noirs, making it easily recognizable to any viewer. The stark black and white contrast, the slick voiceover, the beautiful femme fatale; Double Indemnity has all the tropes of a good noir because it’s one of the best. To summarize, this film follows an insurance salesman by the name of Walter Neff (“with two F’s, like in Philadelphia, if you know the story”) as he records his confession in helping a sexy (and deranged) woman kill her husband for the insurance money. The entire film is a flashback and the audience is only briefly reminded of this fact as Walter’s confident voice easily carries you from scene to scene, immersing you in the past. Not to mention the dialogue is very sharp and deeply layered with sexual tension as Walter Neff fires off a stream of superb one-liners. Now a lot of people have this sad assumption that older movies (re: black and white) are either dry or boring, in both story and style. However this is not the case for Double Indemnity. I’ve already mentioned the that story is captivating, but I also have to mention that the lighting design of this movie is equally incredible. Without the distraction of color, it is remarkable what one notices in terms of light. Every scene is deftly composed to underscore what the narrative. Neff’s troubled thoughts as to his crime are reflected in the half-shadows that cover frequently his face. Our femme fatale, however, is often shown is complete darkness, revealing her malevolent inner nature. If she is not the darkness, then she is lit gorgeously, projecting that outward air of beauty. Now I don’t mean to bog you down with these film-major details, but these are things worth paying attention too, especially in a classic like Double Indemnity. Oh also, it might be of interest to fellow Angelinos that this movie makes great use of the city’s geography. Without the traffic. And it rains.

These are my Los Angeles murderin' glasses. Do you like them, Mr. Neff?

So let’s talk about the other part of my dubbel-feature. Now for the sake of honesty, I’ll let you know that I will pretty much drink, and enjoy, anything that Allagash brews. I’ve had maybe six or seven of their beers and they have all been stellar. I’d try more of them, as I have with Sam Adams, but the price tag for Allagash beer tends to run a little high. But despite that, I picked up this Dubbel and it did not disappoint. For those unfamiliar with the many different genres of beer, a dubbel is a Belgian style that trends towards a brown ale with an average ABV of about 7%. To that end, Allagash’s Dubbel fits the bill quite neatly. It has a nice, brown color, a mild malty flavor and hints of that easily identifiable Belgian yeast (bananas, remember?). For a beer with a higher-than-average ABV and malty character, I was surprised at how easy it went down. In fact, I ended up finishing it faster than I intended, leaving me to wish I had a second in the fridge to carry me through the rest of the movie (not that the movie needed any help). But alas I only had the one, which means that I’ll be back at the store to pick up another one of these tasty beers. And as a general rule of thumb, if Allagash is the brewery, it’s good.

So that was my double trouble night. If I were feeling like a baller I would have done two movies with two dubbels, but I’m not that awesome. Maybe some other night. But I will say that this was one of the more complimentary combos I have done so far. A strong, thoughtful movie with a smooth but surprising beer. Not to toot my own horn, but I’m really happy with the combination and I would recommend that all of you give it a whirl sometime.

Keep drinking my friends!


Tonight’s Tasting Notes:

Allagash Dubbel:  
Very drinkable despite 7% ABV
Rich, brown color
Hearty, malty aroma and taste

Double Indemnity:
A classic noir by which many others are compared
Sharp writing and beautiful visual style
A great history lesson in LA geography (also watch Chinatown if you’re interested)





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