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Avery’s The Reverend Quad & The Exorcist

The power of Christ compels you, Drinkers!

That’s right, today’s pairing is Avery Brewing’s The Reverend and the 1973 classic The Exorcist. And let me tell you, coming from this mildly tipsy Jew, this Catholic combo was quite the show! So grab your holy water and hang onto you robes, BAAM is in for a devilishly good time!

The original 1973 version of The Exorcist is one of those films that most people classify under the “you must see this” genre. Actually, I’d say it’s probably one of the few horrors that fall under that  esteemed category, alongside  the likes of The Shining and The Ring (he said reluctantly). In fact, what all of these “must-see” horror movies have in common is how horror is simply the premise on which great filmmaking is produced. For The Exorcist, the movie isn’t particularly scary and isn’t focused primarily on the gory details of Regan’s possession. Rather, it uses the lens of horror to perform a psychological study on its characters and their demonically-strained relationships. The end result is a film that barely addresses the demonic arts for at least the first 45 minutes of the film and is largely a slow viewing experience. In fact, the pacing is so slow (and the dialogue mixing so…1970’s) that it’s quite difficult to get a grasp of where the movie is headed and how each character ties in. At many times, I found this ambiguity to be quite frustrating. As a modern viewer, I wanted a direct and obvious connection between the events of the first 10 minutes (which feel like something out of Indiana Jones sans action) and the events of the rest of the film. I also wanted clearer explanations of each character and their relationship to one another. Who are all these people living in Chris’ home? Who are all of priests that Father Karras? For the majority of the film, I was feverishly trying to connect the dots between character, place and event. Only until the end did the pieces (sort of) fit together, but not exactly to my complete satisfaction.

The significance of this statue is never explained

The significance of this statue is never really explained

What I also found frustrating about this film was its focus and subsequent abandonment on its principal characters. The beginning of the film focuses exclusively on Father Merrin who digs up something scary in Iraq. Then the film shifts its attention to Chris MacNeil in D.C. as she tries to understand what is happening to her daughter Regan. Then about two thirds of the way through the film, it shifts focus once again onto  psychologist/Jesuit priest Father Karras who struggles with his mother’s death while also calmly chatting with a demon-child. While the stories are carefully woven together, the end result is one of frustration and confusion, as you’re never really sure to whom you’re supposed to connect. Beyond not wanting Regan to remain possessed, it is  hard to care about these characters when we abandon halfway through the film. Briefly, on another note, I found the pace of the editing to be a bit inconsistent. At times, we were left with these uncomfortably long, lingering shows while at other moments, we would abruptly (and sometimes prematurely) smash into other cuts. That’s more of a personal taste thing for me but I wanted to point it out.

Dis bitch scary as Hell!

Dis bitch scary as Hell!

But I don’t want you to think that all of this griping means I did not like the film. On the contrary, the more I pick apart a film on a (pseudo) intellectual basis, the more it generally means I liked the film. For one, The Exorcist is expertly shot. Every frame brings the viewer anxiety and heightens the unsettling nature of the subject. Moreover, setting the muddy dialogue mixing aside, the sound effects are quite incredible. All audio that is not expressly human is accentuated and exaggerated. The end result if an eerie mix of every day sounds that make your skin crawl. And super scary demon-child voices. Quite a feat. But really, overall the film is still a classic. It is quite unsettling and an impressive reminder of what the horror genre can achieve when put in the hands of dedicated and adept filmmakers. It’s also fun to see how many times the girl’s mother says “Jesus Christ!” or “Oh God!” throughout the film. Nice little touch there.

Not actually in the official cut but is rather an incredibly famous deleted scene!

Fun Fact: This famous scene was not actually in the original cut but later added to remastered versions.

And our aptly paired beer from Avery Brewing? I have to say, The Reverend is an interesting beer, to say the least. This quad pours a cloudy, coppery-brown with modest one finger head. The Reverend gives off  a strong malty nose but your first sip may surprise you. For sporting a heart 10% ABV, the beer itself does not have a heavy body but is rather a tame mix of roasted caramel malt, molasses and fruit (cherries?). Those with more defined palettes will undoubtedly pick up hints of Belgian yeast and vanilla but I am not a gifted drinker. Suffice it to say that this beer is subtle, complex and is best consumed slowly. My 22 oz. bomber lasted me the two hour duration of the film (disclaimer: I’m a slow drinker) and I still felt the booze just a little when I stood up. Overall, the beer fit the movie quite well. Both are complex and multi-layered but are not above being simply enjoyed at face value. While The Exorcist can get a bit slow or frustrating at times, The Reverend was always there to keep me in good spirits.

Thanks for reading, drinkers! You can always join the conversation by leaving a comment, subscribing or following me on either Facebook, Twitter or Untappd.

And as always keeping drinking, my friends!

Tonight’s Tasting Notes:340
Avery Brewing’s The Reverend Quadruple:
-Cloudy, deep cooper pour
-Very malty nose
-Notes of caramel, molasses and cherry

The Exorcist:
-Expertly photographed
-Unclear who’s film this is
-Slow but satisfyingly unsettling


Filed under Review

The Lost Abbey’s Judgement Day & Terminator 2: Judgement Day

Hey there, Drinkers!

Today is Judgement Day, which means you should get your drinking in early before the world kablodes. But seriously, today’s BAAM is the Judgement Day combo where we watch Terminator 2: Judgement Day and sip on The Lost Abbey’s Belgian quad Judgement Day. Big beer. Big explosions. Great weekday drinking. Let’s get started, shall we?

I’m going to assume that most of you are reasonably socially adjusted and have seen Terminator 2: Judgement Day, aka the seminal action movie of the 1990’s. The far more popular sequel to The Terminator, T2 (as it is affectionately called) is the pinnacle of 90’s action. There are explosions, computers, guns, a badass mom, more explosions and two different kinds of grenade launchers. Literally this movie has everything. And while the award-winning special effects have not aged well, the action is still as visceral and exciting as it was in its original theatrical release. If you leave your modern perspective behind (a perspective that includes knowledge of Arnold’s political career and a basic understanding of computer science), the movie still holds up fairly well. Looking past the ever-cheesy dialogue (let’s face it, James Cameron has never been known for his writing), the film is pretty damn good and pushes some boundaries. Most obviously, Sarah Connor is a complete baller. She never wears a bra and she kicks total ass while still grappling with the realities of less-than-stellar parenting skills. And while the film still requires the presence of a “male” savior (he is a robot….), Sarah Connor still stands atop the list of cinema’s strongest female heroes (along with Ripley from the Alien franchise).



I hate to point out flaws in a classic but I’m going to anyway. Deal with it. Deep in my nerdy core, there are certain questions that gnaw at me. Like why the T-1000 defaults to the cop-look when he could easily just keep changing forms. And where the F@$% did John and Sarah got those explosives?! They certainly didn’t come from their random gun stash on the Mexican border. Or, more fundamentally, why don’t the machines just keep trying to kill Sarah Connor earlier in her life? Why wait until John is born? I’m just unclear as to why they wait so long. Robo-logic problem. But that’s more just me being nit-picky and not a fan of time-travel as a plot device. Overall, Terminator 2 is a bit silly mostly because of it’s age but the action still holds up. The practical and special effects are still impressive and the action is still visceral and exciting. Moreover, the story of a mother and son at odds because of their fate still rings truer than most action films we see today. My opinion? T2 is always worth another viewing.

So much ass waiting to be kicked

So much ass waiting to be kicked

And The Lost Abbey’s Judgement Day was a perfect fit for our movie. Not only was the name actually appropriate (unlike most BAAM combos), the beer was a long-lasting drinking companion; perfectly suited to last the two hour movie. Pouring from a bomber, Judgement Day is beautifully black in color with a lovely chocolate head. With a stout’s roasted malt aroma, accented with fruity sweetness (from the raisins with which this beer is brewed), this beer was surprisingly complex despite the brute force of the 10.5% ABV. Though the beer is described  as a Belgian quad brewed with raisins, I’m not sure I got any particular Belgian-y flavor. Though, to be honest, I’m not even sure if a Quad is supposed to retain that classic Belgian flavor. What I can say is that this Quad is a noticeable step up from a Tripel, which are already strong beers. Briefly stated, this beer is not for the feint of heart and is best enjoyed over a LONG period of time. It warms fairly well and the substantial ABV will definitely hit you. It certainly hit me…

So there you have it, drinkers. Judgement Day!  A powerful, action-packed film with a powerful, booze-packed beer. I would definitely recommend either, or both, for repeated viewings and tasting. Moreover, I’d suggest enjoying both of these with a friend or two. Nothing says friendship like beer and explosions! Trust me, you’ll be back…

(sorry, had to)

And as always keep drinking, my friends.

090711 LostAbbey JudgementDay

Tonight’s Tasting Notes:
The Lost Abbey’s Judgement Day:
-Rich, black color
-Caramel/chocolate head
-Malty taste with noticeable raisin sweetness

Terminator 2: Judgement Day
-Classic, nearly-non-stop action
-Special effects haven’t aged all that well
-Strong, female lead that still surpasses her contemporaries

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