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BAAM’s Two Year Anniversary Special: The Apple

Happy anniversary, Drinkers!

Today’s post celebrates BAAM’s second birthday! I can’t believe it’s been two years since I started this silly little drinking adventure but here we are: with developed palettes and terrible taste in cinema. In celebration, I invited a few friends over to share some beers and introduce them to the horrendous 1980 film The Apple. Since there were a few different beers on hand for the event, I’ll just give a brief overview of each one while also providing a more in-depth review of the film…if there’s any depth to be had. So, without further ado, let’s get started!

Now since most of you are normal, well-adjusted people I am going to assume that none of you have even heard of  The Apple so I’ll summarize. The Apple is a musical allegory for Adam and Eve set in a a futuristic dystopian 1994 in which a music mogul has taken control of the world due to the overwhelming popularity of his song “Bim.” The lyrics to said world-dominating song are as follows: “Hey hey hey, Bim’s on his way.”  Ostensibly the film follows the disparate lives, successes and failures of couple Bibi and Alphie who choose different paths after they are offered a major record deal with music mogul Mr. Boogalow but we all know that’s just a bunch of crap. This film is mostly just an excuse for expensive musical numbers.

The price of success

The price of success

If you watch this movie, which I recommend you do, you’ll realize that about 80% of the film is an incomprehensible, fever-dream of musical sequences that only loosely relate to the plot. The other 20% is filled with bad acting, shiny spandex and face paint. But this is not a movie you watch to understand. You watch The Apple to be confused and then to rip on it. In fact, heckling is encouraged in my book. If you watch this on your own, you won’t have any fun. So be sure to bring a friend when (not if) you watch this masterpiece of garbage. I guarantee you won’t regret it. GUARANTEE!

The film's namesake Apple

The film’s namesake Apple

And the beers we sampled? It was a nice mix, representing my beer-drinking history and geography from Boston to Los Angeles. I even had a few more beers that we didn’t get to but that’s fine. Just more beer for me and more BAAMs for you! Here’s a quick breakdown of what was consumed.

Sam Adams’ Summer Ale:
-Required summer drinking for any Bostonian
-Light wheat flavor, easy to drink
-Noticeable lemon-y notes that some may find overpowering
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Eagle Rock Brewery’s Populist IPA
-The IPA that made me fall in love with IPA’s
-Fantastic local Los Angeles brewery with real care for their craft
-Super hoppy but fairly soft on the palette

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Stone’s IPA
-A solid, San Diego IPA
-Hop-forward aroma and taste but not unforgiving
-A great entrance into the IPA world
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So again, I want to thank each and every one of you sticking with me these past two years. BAAM has always been a great excuse for me to try out great beer and watch random movies, but it’s your comments and support that make it thoroughly gratifying. So cheers to another successful year of BAAMing!

Remember: drink local, drink with friends and watch bad movies.

And as always keep drinking, my friends.

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Green Flash’s West Coast IPA & Chinatown

Hey there, Drinkers!

Tonight we head to the coast with Green Flash’s West Coast IPA and the classic Los Angeles film Chinatown. Originally, I was planning on watching Once Upon a Time in the West but that “West” is not exactly coastal. Also, three hours is a lot of time to dedicate on a weekday night. But fear not! I did not settle. Today’s combo was as beautiful as the Golden State and if you read below, I’ll tell you why!

The 1974 Roman Polanski neo-noir Chinatown was first introduced to me before I had any real film education or passion for the media. Rather, my dad introduced it to me as his favorite film and, after my first viewing with him, I think I heartily agreed. Flash forward about eight years and eight more viewings and my opinion is largely the same. Though I might contend that The Good, The Bad and the Ugly is ultimately my favorite film, Chinatown is a very (VERY) close second. For the uninitiated, Chinatown is fictionalized history of the birth of modern Los Angeles, as told through a murder mystery. I don’t want to say any more about the plot, as it’s hard not to tread on the hints and clues that are expertly left throughout the film. Instead, let’s just talk about the film as a film, shall we?

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At its most basic level, Chinatown is an engaging story which is gently unfolded through powerhouse performance. Jack Nicholson, Faye Dunaway and John Huston are all impeccable and do great service to well-written script. What also is interesting is how Los Angeles, and the area around it, also exists as a character. Or characters. At its core, the film is about the creation of Los Angeles from a conglomeration of disparate geographical locations. What us modern Angelenos accept as a part of our daily lives (and commutes) lies at the heart of Chinatown. As might be obvious from the film’s title, the film is truly about geography. What happens where. What it does to people or what people do to it. How it changes people or people change the land. It’s a fascinating, albeit cynical, look at how cities are made and I say it’s required viewing for any resident of Los Angeles.

Faye Dunaway is the best. As per usual.

Faye Dunaway is the best. As per usual.

Finally, what is arguably most interesting about Chinatown is its take on genre. While these may seem like an esoteric discussions for non-film majors, what Chinatown did for the noir genre was quite revolutionary and stands out as a major cinematic milestone for that reason. While Chinatown embraces many of the tropes we have come to know and expect from noir films (the hard-boiled detective, the femme fatale, the intermingling of politics and passion, etc.), it simultaneously rejects many of the genre’s characteristics. Setting aside the obvious change to color photography, Chinatown is a bright and vibrant film. It rarely uses the harsh shadows and  strict lines of classic noirs and instead embraces the golden sunlight of Southern California. Chinatown also makes its hero Jake Gittes utterly reactionary. Of course he figures out the mystery, but much of what he learns is because he is told or is lucky. Sure he’s a bright, witty guy but he is not always in control of the situation. Also, he’s utterly broken by the end of the film, which is not exactly typical. There’s a lot more to discuss in terms of genre (I spent a few college classes on the subject) but those are the basics. Overall, Chinatown still stands out one of the great American films. It also has one of the most memorable closing lines in all movie history.  And it still remains my father’s favorite movie.

The most "noir" shot of the movie. And maybe the only one.

The most “noir” shot of the movie. And maybe the only one.

And for our LA movie, how about an SD beer? For this BAAM, I had Green Flash Brewing’s West Coast IPA. As to be expected, this IPA made generous use of the famed West Coast hops that define most American IPA’s. Pouring a cloudy copper color with a healthy two-finger head, the West Coast gave off a nice hoppy aroma. Not too powerful, but just enough to give you an idea of what was in store. When you take a sip, you’re pretty much in for a straight-up hoppy ride. It’s light, crisp and deeply flavored with pine and citrus. Probably grapefruit. While the beer is fairly bitter, it is definitely NOT one of the more bitter IPA’s out there, making it surprisingly easy to drink. Even with a 7.3% ABV, I was able to drink this beer pretty quickly. And I’m a notoriously slow drinker. Overall, this is a great, easy-drinking IPA that should satisfy both casual drinkers and hardcore hop-heads.

So there you have it, folks! A little trip down the West Coast from Los Angeles to San Diego. We paired a classic movie with broad appeal with an accessible IPA. Without a doubt, I would recommend either of these separately but when together, they make for a truly special evening.

Thanks for reading, Drinkers! If you haven’t already, be sure to hit that subscribe button on the right hand side, or follow me on Facebook, Twitter or Untappd.

And as always keep drinking, my friends!

Tonight’s Tasting Notes:
Green Flash Brewing’s West Coast IPA:
-Hazy copper color
-Mild hoppy aroma
-Pine & citrus hop flavor

Chinatown:
-Stunning performances all-around
-A great story beautifully told
-A great twist on the noir genrebotw_westcoastipa_1_t670_t658

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