Tag Archives: western

New Belgium’s Wild2 Dubbel (Lips of Faith Series) & The Man Who Shot Liberty Valance

Hey there, Drinkers!

I see you made it past that mouthful of a title and are ready get a little wild! In today’s BAAM we’re headed west with New Belgium’s Lips of Faith Wild2 Dubbel and the classic John Wayne Western The Man Who Shot Liberty Valance. So grab your spurs and sit down at the saloon. Let’s get it started!

In 1962, director John Ford released yet another Western with John Wayne. In all, the duo worked together on 24 films, which helps explain certain notions and archetypes we all take for granted regarding the genre. And in a lot of ways, The Man Who Shot Liberty Valance is a classic Western. You have the balance between law and bandit, the specter of an encroaching railroad and the intersection of intellectual ideals with harsh, real-world practicalities. It has all themes and characters we recognize so easily. And even some of the sayings we all know…pilgrim. A large part of this comes from John Wayne, who seems to play himself more than he ever plays a character. And that’s not really a bad thing. He’s not exactly a great actor in this movie but his comfort in the role of the smirking yet troubled rancher is really all he needs to play off the more serious and idealistic James Stewart (who is always just awesome). And with a colorful (and wildly intoxicated) supporting cast of a tough-as-nails young woman, a drunken newsman, a cowardly marshal, a trusty black ranch hand, a heartless criminal and unnamed Mexicans, you really have all the makings of a classic Western.

That's a nice belt you got there, Pilgrim

That’s a nice belt you got there, Pilgrim

But really what makes this movie interesting, aside from the on-screen chemistry of John Wayne, James Stewart and Vera Miles, is how different it is from other Westerns. Most notably, this movie is told almost exclusively as a flashback. It’s actually quite Citizen Kane-y in that respect where the film is propelled by the mysterious return of a popular man who then must explain his past, shedding light on the man he is today. But aside from that structural difference, what makes this movie special is how morally and politically conflicted it is. While many Westerns are famous for their moral ambiguity, this movie takes another angle by pitting American democratic ideals against the iron of a handgun in a very literal, political fashion. James Stewart’s character relentlessly defends the law and promotes the strength of the democratic system, and yet he is utterly powerless when he tries to execute those laws. Meanwhile, John Wayne’s character embraces the DIY system of frontier justice and yet is never rewarded or recognized for his ‘just’ acts. It seems a bit standard nowadays but it’s quite unapologetic with its views. While the film generally supports the American ideals of liberty, voting rights and a free press, it regularly complicates and undermines these institutions.

And for what it’s worth, it’s also just a fun move that I recommend to any fan of the genre.

Eastern Man, Western Justice

Eastern Man, Western Justice

And our wild beer? The Wild2 Dubbel from New Belgium’s experimental Lips of Faith series is definitely an interesting brew. I poured from a 22 ounce bomber into a tumbler and was immediately impressed by the rich, dark golden brown color and the lovely, khaki head. Visually, it’s an appetizing beer. And with that pour, you’ll get some classic Belgian Dubbel hints of yeast and rich maltiness. And for the most part, that’s the taste you get as well. With a medium body, the beer is particularly malty with just hints of dark fruit and pepper. There’s a little odd spiciness in the finish that I can only assume comes from the schisandra with which the beer is brewed. Overall, it’s a solid dubbel. I’m not sure it’s as WILD as the Lips of Faith series generally promotes itself to be but really nevertheless a solid brew.

So there you have it folks, a wild night in the American West. A classic Western film and a Colorado brew all via a California palette. Thanks for reading folks and remember that you too can suggest pairings for the next BAAM!

And as always keep drinking, my friends.

New-Belgium-Wild2Tonight’s Tasting Notes:
Wild2 Dubbel:
-Gorgeous pour
-Classic dubbel profile with a little spiciness
-A solid dubbel, but nothing revolutionary

The Man Who Shot Liberty Valance:
All the Western tropes we love
-Conflicted American ideals
-John Wayne as John Wayne, the cowboy

 

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We Recycle Movies Guest Review: Die Hard Trilogy

Hey there, Drinkers!

Sadly, there’s no new BAAM this week but there’s a good reason. And no, it’s not because I was too drunk to write anything. In fact, I wrote quite a bit. As a favor to my friend and fellow film blogger Anne, I’ve written a guest review for We Recycle Movies. WRM is dedicated to the fine art of Hollywood remakes and sequels. My contribution covers the original Die Hard trilogy of awesome. And how they get progressively less awesome as the series continues. And once you’re done reading my sweet review,  I highly recommend that you check out all of her previous posts. Especially if you want a little bonus film education. Lord knows I could use one.

Here’s the link to the review:
http://werecyclemovies.wordpress.com/2013/05/09/special-guest-post-from-gabe-die-hard/

So thanks for reading, Drinkers. BAAM should be back to its regularly scheduled drinking next week. But until then…

…keep drinking, my friends.

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Port Brewing’s Mongo IPA & Blazing Saddles

Hey there, Dwinkers!

Valentine’s Day is over and my next major holiday is Passover (a decidedly unfriendly holiday to the beer-drinker), so we’re back to our regular scheduled (I schedule?) programming. Tonight we saddle up and head West with Blazing Saddles and Port Brewing’s Mongo IPA. So grab your spurs and candy grams and let’s ride out!

I think I first saw Mel Brooks’ 1974 Western parody film Blazing Saddles when I was probably ten. Maybe younger. I loved it then and I love it now but the first thing that comes to mind is “why the hell did my parents let me watch this as a child?!” Aside from much of the humor going WAY above my head (who’s Hedy Lamar? who’s Marlena Deitrich? what about all black men makes them…gifted?),  the references, innuendoes and jokes fly by at a mile a minute and it’s easy to miss many of them, even to the most knowledge of viewers let alone a 10 year-old kid. But that’s part of Mel Brooks’ genius. The comedy is never-ending and regardless of base or crude the joke may be, he commits to each one fully. Even when that joke is just men farting around a campfire for 10 seconds straight. I’m still surprised I was allowed to watch this movie though. Blazing Saddles filled with so much foul language and racial offense that it’s a marvel that this movie was made even in the 70’s! But it’s Mel Brooks and he can pretty much do whatever he wants since he pretty much makes fun of everyone.

Gunplay is funny!

Gunplay is funny!

But aside from the brilliant dialogue and expertly-timed jokes, the real treasure of this film is in its performances. Every character so effortlessly plays off the other that you can almost sense how much fun they were all having on set. Even Gene Wilder, who is dramatically understated for most of the film, manages to bring a smile to you every time he speaks. And then there’s Madeline Kahn. She’s just amazing. Oscar-nominated amazing, in fact. Oh and one more quick thing: it should be pointed out that this movie truly is a fantastic parody of the Western genre. Nearly every theme, trope, cliche and character archetype is addressed and lambasted. Even the music is in on the game (also Oscar-nominated, along with film editing). For you cinephiles out there, this is a good crash-course in the American Western. But you know I hadn’t seen this movie in some time and it was good remembering why I love it so much. For a variety of reasons, for good and ill, they truly don’t make movies like this anymore.

It also has one of the most bizarre, meta conclusions you’ll ever find on the big screen.

Can I offer you some more...comedy?

Can I offer you some more…comedy?

And was Port Brewing’s Mongo IPA “just a pawn in game of life”? To be truthful, I’m not quite certain how I feel about this IPA. The beer pours a nice, hazy orange and leaves behind some lovely lacing, making it a very pretty beer to look at it. But the aroma and primary taste I got from the beer was one of grain and citrus with only a hint of hoppy IPA bitterness. Maybe it was just the bottle I had but this felt much closer to a wheat than an IPA. For what it’s worth, this 8.5% ABV beer was quite light in body and easy to drink, so it might be a good alternative for those who are still on the fence about IPA’s. But for me, it just wasn’t big or bombastic enough  or for the movie I was watching. I do like many other of Port Brewing’s beers, so I’m not writing them off but I was a bit disappointed with my Mongo.

So there it is, Dwinkers! Another beer and a movie riding off into the sunset. Fantastic movie, meh beer but still a good evening. My abs definitely got a workout from the movie and I’m glad I got to try another new beer, even if it was a bit of a dud.

Thanks for reading and be sure to connect with BAAM on Twitter, Facebook or Untappd (for you mobile drinkers).

And as always keep drinking, my friends.

Tonight’s Tasting Notes:port
Port Brewing’s Mongo IPA:
-Nice, hazy orange pour
-Thick head w/ lovely lacing
-More grain than hop in flavor profile

Blazing Saddles:
-Non-stop joke onslaught
-Fairly offensive, but it shares the wealth
-Never gets olds, a true classic

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